Wednesday
April 23rd, 2014 – Island Lake, IL
I heard more sad news
today that another outstanding comedian has died. The year is not even half over
yet, and there have already been too many of these kinds of stories to report.
This time it happens to be another tremendous talent that I personally crossed
paths with, and it’s painful.
Otto
Petersen was without question THE funniest ventriloquist I have ever seen. Not
only that, if I had to narrow it down to the top two or three laugh out loud
funny acts period of all time, his name would be included in the conversation
right up there with Rodney, Carlin or anyone else.
I worked
with Otto and his figure George at Zanies Comedy Club in Vernon Hills several
years ago. “Otto and George” was a huge act on the east coast, and I had heard
of them (him) for years. Otto had a reputation of being a monster act, and
comedians would speak of him with reverence.
Very rarely
does something so trumped up beforehand live up to the hype, but Otto and
George not only did that - they surpassed it by far. I hosted four weekend
shows, so I got to watch the act four straight times. Laugh for laugh, it was
right up there with the absolute best I have ever seen.
There are
always exceptions to every rule, and Otto was a shining example. His act was
off the charts as far as comparing it to anyone else’s anywhere. For one thing,
he was beyond just being “off color” or “dirty” to the point of almost being a
felony. His act was a mix of raw, rude, vile, vulgar, coarse, disgusting,
racist, sexist, lowbrow, shocking – and absolutely 100% brilliance.
It takes a
LOT to make most comedians flinch, as we’ve seen it all. I saw a lot before I
ever got into comedy, but the first time I saw Otto and George live it made me
cringe in utter horror – and also convulse in laughter. That guy took NO
prisoners, and subtlety wasn’t part of his repertoire.
A lot of
times an act will attempt to work ‘the edge’ – that imaginary line that
separates what is considered to be in good taste and what is considered
inappropriate subject matter. Sometimes an entertainer ventures slightly across
the line whether calculated or not, and it can be controversial. It creates
comedic tension, and when done well can be very effective. Working the edge is
an art.
What I
loved about Otto was that there was no tension involved whatsoever. He would
venture out WAY past the line, and not worry about straddling it. He got away
with it because he wasn’t the perceived bad guy – George was. That’s why it
worked so well, and he took full advantage.
I have a
ventriloquist friend that went to see Otto and George, and he said “It was ok,
but Otto is a terrible ventriloquist. His lips move all the time.” He was the
ONLY one that would happen to notice that, because the rest of the audience was
too busy laughing. He destroyed for the entire weekend, and I am fortunate to
have been able to work with him. He was in a class by himself.
We talked a
bit between shows, and he was very reserved and down to earth. We hit it off,
and I liked him a lot. He was also a dented can as most great performers are, and
that’s probably why we bonded. I felt his pain. He passed way too young, and
the world is less funny because of it.
No comments:
Post a Comment